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Tommazo Dolabella (b.1570 Belano - 17th of January 1650, Cracow) - an Italian Venetian painter of the first half of the 17th century. He created portraits, historical and biblical compositions, forks.

Venezuela, Jesuits and baroque
It was reported in the true public affairs of the University of Venice, only with relatively little losses, which threatened her with the Pope Julius II, which put Venice for a short time on the edge of death. And at the end of the 16th century, the republic was having a tough time. The Ottoman Empire of 1571 was taken back in the republic of the Kippur Island, and 1669, after the 24-year war, and Candy.

In the church, with the Pope Paul V, in which the monk Paul Sarpas defended the case of Venice (in 1607), the republic stood in law against hierarchical questioning. The sentence against the independence of the republic, shadowed in Venice 1618 by the Spanish messenger of the Berdemar, was at the time of open and bloody suppressed. It was a new struggle for power and influence of the Republic. The latest fortress on Crete was lost by Venice only 1715. The lightning of 1687 was reconquered and behind the Cardovusian Peace Agreement 1699 the fall of the Ottoman Turks passed it, but in 1718, for the passenger world, they returned there. Since then, the republic has almost ceased to participate in global trade. She's satisfied to keep her old state order and support (behind the commitment of the neutrality) of her last possessions (Venice, Istrans, Dalmatia and Ionic islands).

There was a bad relationship between the Indian government and the great drafts of the Jesuits. So in Venice, the 17th century, there was a little bit of Baroque vision, because the suspicious attitude of Jesuits was the one that was monopolized by the style of Baroque, was spread into the "style of Jesuits," which was not what they called it. The artists of Venice in the 17th century, the pride of the republic, work not as much as the Baroque, as in a strange mixture of styles that are late to the Venetian Renaissance, Mannerism in the small home of the early Baroque. The representative of this strange mixture of styles and was Tommazo Dolabell, the Palo Paolo Veronica's epon and the follower of the Venetian Mannerist of Jacob Bassano's syno or Lucka Cabymero. The last one was also working outside Italy.

Painting

Going from the Venetian province, born in Bellino. There was a Venetian artist named Antonio Wassslki, a Greek, originally. Under the Polish sources, he was invited to work in the Crabs of the King Sinrund III Vases. The provincial Venetian painter painted in Poland the decorative style of Paolo Veronica and Mannerism, perhaps the skills of oil paint. In Poland for a long time, there were traces of Gothic decorations in architecture and the dark painting of the previous age.

The artist is the author of many of the history of Poland, who has tried cities in the 17th century and became one of the superpowers in Central Europe. Tommazo Dolabella is the author of the horse portraits of Polish kings, battalion paintings and portraits of representative